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Terminator movie mistake :D 
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EddArmitage wrote:
Filming Transformers was a mistake.
Not necessarily, but the film they did make was rubbish*, in my opinion.

Mark

* Other opinions exist on this matter, and whilst being valid to those opining are equally wrong. (8+)

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okenobi wrote:
All I know so far is that Mark, Jimmy Olsen and Peter Parker use Nikon and everybody else seems to use Canon.
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Mon Sep 14, 2009 11:04 am
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timark_uk wrote:
EddArmitage wrote:
Filming Transformers was a mistake.
Not necessarily, but the film they did make was rubbish*, in my opinion.

I possibly agree, in part. They might have made it reasonable if they'd done a lot of things differently!

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Mon Sep 14, 2009 11:13 am
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EddArmitage wrote:
Filming Transformers was a mistake.


A film about devices which transfer electrical energy from one circuit to another through inductively coupled conductors would be distressingly dull. The fact that two such films were made goes beyond any rational explanation.

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Mon Sep 14, 2009 12:12 pm
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timark_uk wrote:
TV and films are both full of continuity errors.
I've stopped noticing (or at the very least I've stopped telling other people I'm watching with) them, mainly because it can sometimes ruin my enjoyment of whatever I'm watching.
If you like this sort of stuff go to http://www.moviemistakes.com/ and waste the rest of your life. (8+)

Mark


Wow!

some dude on moviemistakes.com wrote:
When Slughorn stands before Tom Riddle speaking of seven Horcruxes, as the professor faces the fireplace and says, "This is all hypothetical," and when Tom replies, "It'll be our little secret," in these close-ups particularly the square lighting/reflector screen becomes clearly reflected in the eyes.


:shock:

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Mon Sep 14, 2009 2:41 pm
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ChurchCat wrote:
:shock:


:shock: Indeed.


Mon Sep 14, 2009 3:58 pm
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HeatherKay wrote:
Who cares if a Death Star is so badly designed so you can fly down a vent in a huge ship!?


To Be Flippin' Fair, you can only do that when a Death Star is being constructed, as it is in Return of the Jedi, it may be fully operational but one of the sides is missing! Once fully constructed the opening leading to the core is only 2 metres wide, just enough to fire a couple of missiles down, much like bullseyeing womp rats in a T-16 back home. They're not much bigger than two meters either. The trick is to reach out with your feelings. They didn't feel a small one-man fighter would pose much of a threat you see.


Mon Sep 14, 2009 5:23 pm
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I used to read about movie mistakes but I now think you're just better off not knowing. I really hate it though when you see something so badly done that it brings you out of the film - the support wires near the end of Highlander being a good example :oops:

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Tue Sep 15, 2009 12:00 am
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pcernie wrote:
the support wires near the end of Highlander being a good example :oops:
When I first saw it, yes, but now it's all part of it's charm.
Highlander is a flawed masterpiece. Yes, seeing the wires takes you out of the film (trying very hard not to get pretentious and start using words like verisimilitude here) but watching it now with the wires removed would just be wrong, to my eyes.
Go and rent out the Final Cut version of Blade Runner and watch the documentaries on the discs, they explain this in far greater detail and much better terms than I can here.

Mark

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okenobi wrote:
All I know so far is that Mark, Jimmy Olsen and Peter Parker use Nikon and everybody else seems to use Canon.
ShockWaffle wrote:
Well you obviously. You're a one man vortex of despair.


Tue Sep 15, 2009 6:46 am
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veato wrote:
phantombudgie wrote:
I often twitch when I see wrong physics in films.



Its only a film man!


I remember watching spider man with my ex-girlfriend.

We got pretty much the whole way through the film, about a man who got bitten by a spdier and from that point on could climb walls and shoot web from his wrists, when a school bus was being suspended from a bridge by spider-man's web.

"That is SOOOO unrealistic" she said. :lol:

I just laughed.

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Tue Sep 15, 2009 9:02 am
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I’m waiting for continuity errors to appear on the news. So far, they seem to have it pretty well covered. Film makers should ask them how they do it.

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Tue Sep 15, 2009 9:30 am
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paulzolo wrote:
Film makers should ask them how they do it.
One word : live.

Mark

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okenobi wrote:
All I know so far is that Mark, Jimmy Olsen and Peter Parker use Nikon and everybody else seems to use Canon.
ShockWaffle wrote:
Well you obviously. You're a one man vortex of despair.


Tue Sep 15, 2009 9:40 am
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timark_uk wrote:
pcernie wrote:
the support wires near the end of Highlander being a good example :oops:
When I first saw it, yes, but now it's all part of it's charm.
Highlander is a flawed masterpiece. Yes, seeing the wires takes you out of the film (trying very hard not to get pretentious and start using words like verisimilitude here) but watching it now with the wires removed would just be wrong, to my eyes.
Go and rent out the Final Cut version of Blade Runner and watch the documentaries on the discs, they explain this in far greater detail and much better terms than I can here.

Mark


Oh, I know what you're getting at (I've read around the Blade Runner tinkering/fans reactions, same for the original Star Wars trilogy), but I'd prefer to see the smaller things like wires go myself, so long as you weren't changing entire scenes.

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Tue Sep 15, 2009 12:34 pm
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I'm really starting to hate special effects. I keep looking at films and thinking is that real or is that CGI put on afterwards?

Give me the small independent films any day where they rely on a good story to hold your interest and not some beefed up special effects.

Fancy that - a storyline in a movie that's believable... wonder if the bosses at the big studios will catch on? :roll:

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Caz is correct though


Tue Sep 15, 2009 4:02 pm
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oceanicitl wrote:
Fancy that - a storyline in a movie that's believable...


Good luck with that, but don't hold your breath waiting.

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Tue Sep 15, 2009 4:44 pm
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I think some films/TV shows (either set in the future/has fancy technology/fantasy) have an element at their core that requires an air of suspended disbelief. Whether it be a talking car or a helicopter that can reach Mach 1, the basic premise of the show is imaginary. A show or film can have a very good story but continuity errors, especially big glaring ones, make you realise it's just a film, rather than sucking you into their world.

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